With 65 pages to read, I’m trying to give as much advance notification as I can! 😀
Four AUTOGRAPHED PAPERBACKS of THE KHEKARIAN THREAT will be going out in an up and coming competition. The answer to the competition lies somewhere in the first four chapters. When the question goes out, the first 4 readers to respond correctly, WIN.
I expect this to happen some time next week. Don’t leave it to the last minute!
Be one of 4 lucky winners to win an autographed paperback of The Khekarian Threat!
I haven’t got the date yet, nor indeed the question (such things are in the hands of my Competition Organizer), but I can tell you that the answer lies somewhere in the first four chapters, which are FREE TO READ RIGHT HERE:
The Khekarian series is a collection of separate and very diverse stories told over a period of time in the order with which they unfold – You will meet people from a broad spectrum of society – paupers, captives and slaves, merchants, seers, military personnel, all the way to rulers and conquerors – their lives, their loves, their kingdoms.
You’ll encounter individuals with their own stories to tell, ordinary people, some touched, some savaged by the imperial war. You’ll also meet key players in the strife and struggles as the two empires collide.
The Khekarian Threat starts on a wilderness planet in the Terran Sector, but ends up in alien territory far away, on a planet falling into enemy hands. The first tale is about Aleisha, but it’s also the beginning of Sturn’s story, an exiled Khekarian Prince and his return to power. If you enjoy in-depth science fiction with solid characterization, realism, a vast landscape and full galactic scope, this is the series for you.
I always write what I want to read, and I always write what I want to write – and why should sci-fi be “pure” while all other genres are allowed to have LIFE?
Fortunately, science fiction nowadays DOES have life, yet the concept remains, particularly when it comes to sex.
I have been told numerous times that sci-fi doesn’t usually have sex in it, for instance, and that it is a different genre and writers shouldn’t mix genres. I usually reply that when the cowboy in a Western gets the girl in the end, no one says that’s a mixed genre of Western and Love story. Usually they get my point at once.
As a kid, I really didn’t like most of the science fiction available, including (actually, especially) the big name authors. Mostly it was too dour. It could be that I was reading above my age level, but what I really wanted was adventure and spaceships and alien planet colonization.
The original idea I had, all those years ago, centered on a pioneering world with Good Guys and some Thugs – simple – It was one book, one story, Ms Sweet Young Thing trying to escape the evil intentions of Mr Villain, lots of good fun and sexual tension – Then I grew up out of adolescence and wondered if I could… you know… put a plot in it.
I gave Mr Villain a brain. That might have been a mistake, but it also gave him wider appeal because there’s only so much you can do with sexual lust. I also took his sexual lust OFF Ms Sweet Young Thing and planted it… well, just about everywhere else.
Meanwhile back at the ranch Mr Villain had to have a reason for keeping and controlling Miss Sweet Young Thing. She needed a reason to want to get away, right? And no Good Guy/Bad Guy clash happens over a pay dispute – it had to be something against the will, so slavery it became.
I also needed to give Mr Villain brute force power and a reason for wanting a talented seer in his life.
That’s right, Ms Sweet Young Thing is an untrained, undisciplined psychic – And don’t start with the “But she didn’t see it coming” bit, just about everyone she meets says that. And don’t tell me it doesn’t belong in science fiction, either! What about Star Wars? What about “Use the Force, Luke”? Then there’s Star Trek and Mr Spock and his mind-meld. If Star Wars and Star Trek count as science fiction, mine most certainly does. Yes – complete with spaceships and Relay stations (teleport), and fancy weaponry and aliens and newly colonized worlds. It’s sci-fi, got it?
My take on the psychic side of things is that spirituality, psychic experiences and the practice of magic in many forms has been part of human history right from the start. It is still with us today and will be with us tomorrow. It flows in and out of popular appeal, so there’s no reason to assume it will stop dead in its tracks anytime soon.
Writing sex is difficult enough – not least because it’s intimate, but intimacy is just one hurdle. The emotion and mechanics are tricky enough at the best of times. You not only have to describe the scene well, you have to keep it on the page! Okay, so forget your own emotions getting in the way. Forget the cold showers, the mind-blowing, eye-crossing sweaty thoughts and your inability to type coherently. What really bites is the knowledge that however the description ends up, EVERYONE will be able to see it once it’s out there.
Your sex scenes have to be good. You cannot, as a writer, afford to be clumsy in this (if the scene is meant to be clumsy, it still has to be expertly written. You still have to get it right). You are, after all, exposing yourself in a very unique way. Here, you are vulnerable, not only as a writer but as a person. This is too close.
Composing your words and putting a description out there for people to look at and pick over, has many drawbacks. It’s like public speaking. No, it’s worse than that because it’s intimate on so many levels. What if it’s wrong? What if it’s stupid? What if people laugh and it’s not a comedy? What if you haven’t caught your readers so they just don’t connect with what you have put on the page and it all becomes so very clinical? There’s a myriad of things that can go wrong.